EPK

Scarlet Death

Experimental composer and developer crafting immersive multimedia working at the intersection of harsh noise, spatial audio, and autonomous hyperfiction.

alice@scarletdeath.com

Biography

Brief

Active since the early 2000s, the project blends violin, modular synthesis, and custom software systems to create immersive and confrontational sonic environments. Scarlet Death’s work spans digital and physical releases, community curation, and long‑form multimedia projects.

Extended

Scarlet Death (Alice Scarlet Eidson) is an experimental composer, developer, and multimedia artist whose work spans harsh noise, spatial audio, and autonomous hyperfiction. Active since the early 2000s, the project has evolved through multiple aliases and formats, drawing from death industrial, power electronics, and sonorist traditions while integrating violin performance, modular synthesis, and custom‑built software systems.

Her practice includes both recorded output and technical development, with a focus on multi‑channel audio, procedural narrative design, and system‑driven worldbuilding. She is the creator of deathOS, a middleware framework supporting AI‑mediated narrative engines, xenoeconomic simulations, and creative tooling. This infrastructure underpins her ongoing project Void Witch, a large‑scale space‑opera narrative built on autonomous systems rather than fixed scripts.

Scarlet Death’s work has appeared across digital platforms, physical formats, and community‑driven noise archives, reflecting a long‑standing presence in the experimental music underground. Her current output centers on integrating spatial audio with computational narrative systems to produce immersive multimedia works.